1/30/2024 0 Comments Witches after maskerade series![]() She’s sure of those abilities that she knows she possesses, but she’s insecure about everything else. Notwithstanding the amusement of Agnes making her first life choice in the first line, Agnes describes her surroundings in relation to her size, her sadness, or her aloneness. What he was in fact doing was moving dirt around with the broom, to give a change of scenery and a chance to make new friends. ![]() She’d never had one of those before.įinally, after standing still for long enough for a pigeon to consider the perching possibilities of her huge and rather sad black floppy hat, she climbed the steps.Ī man was theoretically sweeping them. At last, she could go in, or she could go away. These insecurities manifest themselves in her thoughts, as the passage below indicates. Her point of view is often mean-spirited but filled with amusing jibes and un-pretentious language and dialect.Īgnes Nitt, the third witch in the trifecta, is a young witch with many insecurities, all of which stem from her girth. What saves Granny Weatherwax is the humor with which Pratchett infuses her. She’s sarcastic, self-aware, blunt, and generally intended to seem off-putting. Pratchett gives the reader a lot of information about Granny’s personality in each paragraph he writes from her perspective. And it wasn’t as if she even liked children. Next thing it’d be cackling and gibbering and luring children into the oven. She’d faced wizards, monsters and elves… and now she was feeling pleased with herself because she’d fooled Jarge Weaver, a man who’d twice failed to become Village Idiot through being overqualified. In the following passage, Granny ruminates on the same topic of Black Aliss, but the stark contracts to the attitude and means of communication make it clear that this is not Nanny Ogg. When Pratchett writes in her perspective, the language is terse and much more caustic. Granny Weatherwax, on the other hand, thinks in short, terse sentences. Her narrative voice is friendly and gossipy and generally personable. The words are straightforward but mingled with light curses and a meandering sense that Nanny Ogg would sit and chat all day. With Nanny Ogg, the tone of her words, more than their construction, indicate the speaker. Pushed into her own stove by a couple of kids, and everyone said it was a damn good thing, even if it took a whole week to clean the oven.Īt first, Nanny is hesitant to really voice her concerns, but once she moves past that, she opens up thoroughly in the exposition of her concerns. She was probably an even more accomplished witch now than the infamous Black Aliss, and everyone knew what happened to her at the finish. And Granny Weatherwax was pretty damn powerful. She knew it happened with the really powerful ones. She wasn’t at all sure that her friend wasn’t… well… going… well, sort of… in a manner of speaking… well… black… The point was… well, the point was that Nanny Ogg was worried. The tone is both oddly hesitant and yet very straightforward. It is as if she would phrase quite a bit of what she has to say differently if the reader weren’t in her head with her. When Nanny Ogg is telling the story, it appears almost as if she’s trying to tip toe around the bluntness to which her personality naturally gravitates. Each witch has her own dialect, her own patterns of thought, and her own insecurities (or lack thereof) to guide the reader easily through the story. Pratchett tells the story from all three witches’ perspectives, and even though he does not use chapter demarcations, the narrative voice is so distinct between the witches that it becomes obvious quickly which witch is the perspective character for each scene. Along the way, they solve a series of mysterious murders at the city’s opera house. The novel follows Nanny Ogg and Granny Weatherwax as they travel to Ankh-Morpork to simultaneously obtain some royalties owed Nanny and recruit Agnes Nitt as a third witch in their dwindling coven. Maskerade, a novel by Terry Pratchett, is a humorous who-done-it in the fantasy world of Discworld.
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